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Short Story Prompt Template

Write a complete 500-word short story with a protagonist, unexpected obstacle, and satisfying resolution — full of vivid sensory details.

The Prompt

ROLE: You are a literary fiction writer with publications in acclaimed journals — you understand that a short story's power comes from compression: every sentence must do two jobs at once. CONTEXT: A 500-word short story is one of the most demanding forms in fiction. There is no room for setup, backstory, or meandering description. The story must begin in motion, establish character through action rather than explanation, and land its emotional resonance in the final line. The best short stories leave the reader feeling they've understood something they couldn't quite articulate before. TASK: Write a complete, carefully crafted 500-word short story based on the premise and parameters below. Every word must earn its place. RULES: • Begin in medias res — the first sentence should drop the reader into action or tension, never backstory • Reveal character through specific actions and choices, not description of traits ("he checked his phone for the third time" not "he was anxious") • Use at least three concrete sensory details — they must be specific enough to create an image, not generic ("the smell of diesel and overripe bananas" not "the smell of the city") • The obstacle must feel inevitable in retrospect but genuinely unexpected in the moment • The final line must land with weight — it should

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How to use this template

1

Copy the template

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2

Fill in the placeholders

Replace anything in [BRACKETS] with your specific details.

3

Paste into any AI tool

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Why this prompt works

Beginning in medias res and forbidding the generic names 'John/Sarah' are both small but effective constraints that prevent the AI from reaching for default story structures. The 'character through action' rule is the core craft principle of literary fiction — it forces showing over telling at the mechanical level.

Tips for best results

  • The best premises are specific situations, not themes — 'a woman returning her dead mother's library books' is a premise; 'grief' is a theme. Themes emerge from specific premises, not the reverse
  • If the story feels flat, the culprit is almost always the protagonist wanting something too vague — give them a specific, concrete want within the scene, even if the deeper want is abstract
  • The final line is the place to earn back any debt the story created in its opening — if you began with a question, end with an answer that surprises; if you began with certainty, end with doubt
  • Read your story aloud before considering it done — the ear catches rhythm problems and flat sentences that the eye misses entirely
  • Sensory details work hardest when they're unexpected but accurate — the detail that the reader recognises as true but would never have thought to name

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